This is a short post to correct a mis-attribution of a photo of André Eugène’s  ‘Badgi Pom Louko (Altar for Louko)’ (2011) to myself in Nadine Zeidler’s recent review of the biennale in Frieze. I took the photo but the work is very much Eugene’s (with contributions from Michel Lafleur, one of the tap tap sign painters). The photo is relatively high-res. The details are well-worth a closer look.

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