“Finally an authoritative book on that weird, complex figure of the zombie that delves deep into the dark heart of the matter rather than skating the surface. John Cussans is that rare writer who can bring to bear anthropology, cultural studies, colonial and post-colonial history, philosophy, politics, folk-lore and a love of pulp fiction and film to offer a compelling story about how a marginal superstition from the Caribbean became the defining monster of our times. Prepare for a wild ride that moves elegantly from Hegel and Haiti, via Mesmerism, James Bond, Georges Bataille and Surrealism to Papa Doc Duvalier and Doctor Terror’s House of Horrors, always steadily illuminating a path through a forest of delirious details. A truly marvellous journey.”
Roger Lockhurst, author of Zombies: A Cultural History
“Cussans rejects exceptionalist explanations of Vodou and the zombie to present a nuanced description of those phenomena within the international political, economic and cultural environment in which both the realities and the inventions are situated. This comprehensive work is a must read for anyone wishing to understand more about the destinies of African-based religions in the Americas, and especially concerning the uses and abuses of Haitian cultural phenomena by outside interests.”
LeGrace Benson, author of Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness and President of The Haitian Studies Association.
“No one alive, or – almost certainly – deceased, has thought about zombies more voraciously than John Cussans. While the outcome of this feasting is not pretty, what it has unearthed cannot be laid to rest again. Those who doubt the consistency, deep historical momentum, or global significance of the ‘zombie-complex’ will find all such reservations fundamentally challenged by this troubling book. Subsequent to this meticulous and wide-ranging process of exhumation, it is no longer plausible to deny that an inexterminable anticipation of undead uprising continues to define the horizon of our world.”
Nick Land, author of Thirst for Annihilation: Georges Bataille and Virulent Nihilism.
Invisible Mirrors 
Re; Your library/archives. In my possession since 1979 is a proposal for filing medical records by unique skin profile and cutaneous surface cartography. We realized recently that this would not work for one of the visitors –I think his name was Nibo or something similar. We tried to file by spatial coordinates but we had no key for ambivalent locality. We look forward to any suggestions you may be able to provide at the Bienniale.
Hi Legrace, sorry for the delayed reply. Just getting back into the blog after focusing my energies into lectures. Been reflecting on the text-textiles issues through the lens of Lacan’s Imaginary/Symbolic/Real.And it’s got
me wondering if Jameson’s call for a cognitive mapping of the postmodern/globalized world-order offers a model that might enable ‘our’ reflections on contemporary art/theory to be materialised in some way during the Ghetto Biennale. (I say ‘our’ because I’m feeling a little lonely in my thoughts at the moment). Intuitively I am drawn to veves and flags and I feel that somehow they could be worked with/on in terms of a psycho-geography of the revolution in Haiti that brings the different systems into some kind of alignment. I feel that an artistic response to the panels at the conference would be more engaged and effective than a purely academic one. Looking forward to communicating more on this.